I am a great believer in the role of beauty to shift consciousness.
The impact of a breathtaking vista, the perfection of a fern frond as it unfolds, the prisms of light as they shine for the smallest moment through a drop of rain. Beauty acts on us like displays of the human spirt; which are profoundly moving, inspiring and highly charged. Beauty I feel, hits us as hard but deep under the surface. It’s like when you are in the presence of perfect form, when the mathematics align and the whole is at the same time so perfectly natural, something inside you aligns with it and starts to shift to that frequency.
Karin Weber writes:
Amid so many insecurities in the world today, Małgorzata Chodakowska uses the uncompromising nature of her works to arrive at a sense of a security. Her medium is wood. usually from uprooted trees. The wood grains from the tree trunks of basswood, pear. cherry and oak come alive and follow her as she removes layers of wood to reveal larger-than-life sized ﬁgures. neo-realistic nude ﬁgures. clad ﬁgures, and busts – a process whereby the wood seems to shed its skin. the wood itself appears to be turned inside out. The ﬁgures are a continuation of the growth of the trees themselves. sprouting ﬁrst from the earth and then ﬁnding themselves rooted within the artist and her dreams, expectations and demands. her self image and her personal experiences. Behind the daily passions which remain hidden for most of us. the artist reveals what really moves people. as she exposes the timeless beauty of the creation of a human being
Her works are a romantic phenomenon in our present time. a time in which countless artists reject beauty in the name of modernity and denounce it as a “bad habit”. And what a great mistake that is! After all, beauty is a most basic need for all of us. read more here
Naturally given what I write, I think love is a form of beauty and the body a form of art. In The Painted Heart and in the subsequent series of The Painted Sisters, the body as a canvas and a form of living art is explored. In The Bound Heart I touch on the dichotomy between nudity in art and in life, the grey zone of porn and eroticism. Chodakowska uses the human form often naked or clad in ‘the wet look’ to fully show form and shape. There is a deep seated sensuality that comes from nature, through the wood, and often encased in metal. Elemental as it shifts us into our own natures.
Tutt Arts writes:
Chodakowska lifts her craftsmanship in wood and bronze to the magical world of experience in which the balance between beauty and perfection delivers the most beautiful tension. Her angelic figures radiate an paradise type authority, intriguing and most irresistibly attractive. The suggestion of perfection, the challenging energy of an equally powerful as subdued seduction. Her work is obviously highly respected in nowadays top sculpture art market.
Chodakowska studied sculpture art at the Academy of Fine Arts in Warsaw (1985). She continued her study at the Art Academy in Vienna (1988). In 1991, Chodakowska completed her dissertation in Vienna (Bruno Gironkoli). She has been honored with the highly selective granted ‘Masterclass Award ☞’. Read more here.